Toronto, I love you.CONSUMED: 333 Adelaide St East; Moss Park
every day, i devour countless catchy visuals, aural delights
and savoury treats. why not chronicle their consumption?
I know you've seen his work: vintage paperback covers X-acto knifed into melodramatic dioramas. I've been seeing them all over the place (here, here and most recently here). It was showing up so often that I became worried that someone was stealing his bit. But no no, it's all him. If I had the money, I would definitely purchase one of his stunning prints. In the meantime, I'll resign myself to lusting over my pirated self-made desktop wallpapers.
When my rear axle broke, that incredibly unlikely accident, it happened when I was coming down off the Williamsburg Bridge in the middle of Delancey. Thank goodness it happened when the traffic behind me had stopped, and not as I was dodging cars. The thing is there isn't a bike lane on Delancey, a straight and speedy through-fare that delivers Brooklynites into lower Manhattan. WIthout this little piece of infrastructure, cyclists are forced to weave in and out of the cacophonous car traffic coming off the bridge.
Death & Co. is legendary amongst the speakeasy cocktail circles, or so I've heard. I've also heard that D&C was meant for a more reserved clientele, keeping the number of guests strictly to the number of seats (i.e. no standing spots). This is only half true. When Laura and I tried to go there for the last stop of our lovely evening together, we were almost denied entry because of the lack of seating. The person at the door said he would have to take our number and call if/when there was space. Fate smiled on us at that exact moment and two people came through the heavy stained wooden door, leaving us two seats at the bar.
Nothing says "whimsy" to me more than the music of Andrew Bird. "Brilliance" also comes to mind. And his show at Radio City Music Hall was nothing short of brilliant. Each piece was crafted in layers (of both violin and whistling!) and slightly reinterpreted from the recording. With each song entrance, it took a few moments — a sort of musical trivia game — to figure out which song he was launching. And satisfaction of the epiphany, the swell of excitement with the moment of recognition ... well it was such a wonderful way to experience a concert.
I'm only ever down in the LES in the evenings, apparently, because this was the first time in nearly five years that I ever saw Economy Candy without its grill pulled down. I tried in vain to find my favourite British blackcurrant pastilles. I seemed to have over-estimated the store; all they seemed to have were American (albeit often nostalgic American) products. Sour watermelon slices would have to do.
Dear NYC,